KPX are the team that make "Picture Slam" work and never allow anything to come between the contestants, the presenter, and the questions, yet theirs is a contribution that seldom catches the eye of the viewer. As producers we’re immensely grateful for that contribution and I’d like to acknowledge the skill, diplomacy and talent that they bring to a series like ours. We quite literally couldn’t do it without KPX!

Whether it’s a project in development or massive studio show, KPX are my go to. They’ve got great ideas and execution and go out of their way to help. Possibly the best thing about them is their clear communication. Oh and that they’re far cleverer than me, but they don’t rub it in!

The biggest compliment I can give to KPX is that they make life easy for us!  When making high volume shows timing is of great importance, and they always have everything working when we need it to.  On House of Games we have over 60 different mini games, and they make sure that all of them run perfectly, and make them look like they are in our house style.

It is always a great experience working alongside the KPX team. They work seamlessly alongside our production teams and understood and execute our (often many!) requests and requirements with ease. Most importantly of all everything always looks, plays and works perfectly in studio for all of our filming dates without so much as a blip.

I've had the pleasure of working with the fabulous KPX team on 7 series of Tenable and it's always a joy. Reliable, unflustered, adaptable and all-round decent telly folk!

Working with KPX is always an absolute pleasure. They’ve been integral in the production of Question of Sport and The Weakest Link with us at BBC Studios in recent years. The ‘can-do’ attitude is magnificent, and the whole team are always ready and willing to input creatively into the production process. It is a relationship that I am keen to maintain on the shows that we already work together on and expand into new projects in the future.

Always a pleasure to work with, KPX have continually offered technical expertise, knowledge and a commitment to teamwork.

I have worked with KPX for many years on lots of quiz shows, some technically complex, others a bit simpler. Their people are understanding, listen to my needs and act on them, and most importantly, under pressure in a studio, they are really on it from every aspect.

KPX joining the team for on The Weakest Link, has been amazing. They’re such a great company to work with. Not just because they’re top of the class when it comes to game technology and live studio graphics, but because they are brilliant people to work alongside - which is just as important!!

We contacted KPX to build the game technology for a recent BBC Two pilot with just one weeks’ notice. They impressed in every aspect of their work, delivering high production values, a technically sound solution and professional delivery in studio. The pilot went smoothly, their dedicated team were a pleasure to work with and we would happily work with them again in the future.

KPX are an essential part of our coverage for the Urdd Eisteddfod, supplying graphics, content and information to multiple departments and media outlets. They always have a solution to any problem we can throw at them, and are a dedicated team who always go the extra mile to deliver a first-class service

Got To Dance is a huge production, and that means we need every department to deliver a great service with minimal fuss and worry. Using KPX for the judge systems gave us confidence that their systems would “just work” each and every time during our live shows. They did a sterling job and we appreciate their involvement in making these shows!

Pointless is a very well established and long running show and knowing we have KPX running many facets of the game means it is one less thing to worry about. The KPX team are professional, and a pleasure to work with. With KPX you get great attention to detail which on Pointless is essential and nothing is too much hassle even with last minute changes.

KPX did a marvellous job for us on Fifteen to One. It’s a surprisingly complex show to make, so their attention to detail, their willingness to take on a challenge and the dedicated and professional way in which they worked were all vital in making our production a success. They handled multiple question protocols, 18 sets of contestant podia, wireless host screens, extensive and intricate floor and studio lighting cues, as well as last minute format changes, all with a reassuring, calm efficiency. Also they’re lovely people to work with.

The LED floor is central to the entire 5 Gold Rings format so it was essential that the technology behind it was spot on. KPX provided us with a solution that not only gave contestants an exciting multisensory gameplay experience but that was also accurate to the Nth degree – which is absolutely key in a game where every pixel counts. It was a pleasure to work with the KPX team on the project, we are thrilled with the huge success of 5 Gold Rings and are very excited to see the show continue to take over living rooms both here in the UK and all over the world.

The Virtual Wall is now embedded as such an important part of the shows’ fabric this year and it doesn’t fail to impress me how incredible it looks. The tech behind it is mind bogglingly complex but all the team working on it are doing such a fantastic job and it is giving us the best alternative to a live audience we could wish for in these times.